| CURRICULA |
SECTION
7
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C. Brad Foley, Dean, A-118 A. J. Fletcher Music Center
Robert L. Hause, Assistant Dean for Undergraduate Studies, A-119 A. J.
Fletcher Music Center
Rodney Schmidt, Assistant Dean for Graduate Studies and Technology, A-102
A. J. Fletcher Music Center
Charles F. Bath, Chairperson, Keyboard Music, A-369 A. J. Fletcher Music
Center
Thomas J. Huener, Chairperson, Theory, Composition, and Musicology, A-301
A. J. Fletcher Music Center
Jeffery W. Jarvis, Chairperson, Instrumental Music, A-314 A. J. Fletcher
Music Center
Michelle Hairston, Chairperson, Music Education, A-213 A. J. Fletcher Music
Center
John B. O'Brien, Chairperson, Vocal Studies, A-268 A. J. Fletcher Music
Center
The School of Music offers four master of music degrees: the MM in music education, the MM in music therapy, the MM in performance, and the MM in theory-composition. The MM in music education has two options, one is approved for North Carolina teacher licensure. The MM in performance offers concentrations in accompanying; organ, piano, voice, strings, percussion, or wind instrument; sacred music; woodwind or brass specialist; choral conducting; jazz; instrumental conducting; and pedagogy (piano, string, or vocal). The MM in theory-composition offers concentrations in composition (traditional and electronic), theory, and music technology. Students completing any of these professional degree programs achieve a broad conceptual understanding of their major area through a synthesis of theoretical and historical information. They acquire applied skills in research and performance for meaningful and effective use of this knowledge.
Applicants must meet the requirements established by the Graduate School and complete its admission process. Applicants must have the equivalent of a bachelor of music degree from an accredited institution, a minimum average grade of B in all previous course work, and demonstrate an acceptable level of musical accomplishment through an audition. Portfolio admission is an option in music education and music therapy. As part of the admission process, all applicants must demonstrate a basic knowledge of music history and theory with an acceptable evaluation on an examination administered at the time of the audition or interview.
Students with identified deficiencies may be required to remediate with appropriate courses (MUSC 6206, 6216). All applicants for the music education master of music program must submit a teaching license. Applicants in theory/composition must submit examples of their creative and scholarly work (compositions, research, or analytical papers). Students applying for other thesis programs (music therapy, music technology) must submit examples of creative and scholarly work appropriate to those areas. The master of music degree shall be awarded only after candidates pass a comprehensive examination that includes presentation and defense of a final project.
All candidates for master of music degrees shall participate in conducted or coached ensembles as determined by individual degree area requirements. Additional information detailing specific requirements for the various degree programs can be found in the admission requirements section of the School of Music Graduate Handbook.
Minimum degree requirement is 36-39 s.h. as follows:
One week before the comprehensive examination presentation, the student will be required to complete a written examination of work covered in the degree program. The written examination is to be scheduled with the department chair.
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16 s.h.
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Option (Choose option A or B.). |
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20-23 s.h.
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3 s.h. 14-17 s.h. 3 s.h. |
20-23 s.h.
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17 s.h. 3 s.h. |
20 s.h.
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Minimum degree requirement is 30 s.h. as follows:
Candidates for the master of music in music therapy must submit an original thesis.
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15 s.h.
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5 s.h.
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10 s.h.
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Minimum degree requirement is 30-34 s.h. as follows:
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Core: MUSC 6006 or 6016; MUSC 6887; 8-9 s.h. applied music; 2 s.h. recital |
16-17 s.h.
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Concentration area (Choose one.). |
13-18 s.h.
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10 s.h. 4 s.h. |
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12 s.h. 2 s.h. |
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10 s.h. 3 s.h. |
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10 s.h. 4 s.h. |
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11 s.h. 3 s.h. |
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Pedagogy (Choose piano, string, or vocal.) ( 16 s.h. core; 14-18 s.h. concentration): |
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12 s.h. 3 s.h. |
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15 s.h. 3 s.h. |
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11 s.h. 3 s.h. |
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13 s.h. 3 s.h. |
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13 s.h. 3 s.h. |
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12 s.h. 8 s.h. 4 s.h. 2 s.h. |
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Candidates for the master of music in composition must submit an original composition-thesis of substantial proportions or present a full concert recital of pieces composed while in residence at East Carolina University. Candidates for the theory option must submit a thesis. Candidates for the music technology option must complete a project that demonstrates a high level of accomplishment in an area of music technology and includes a written document related to the project.
Minimum degree requirement is 30 s.h. as follows:
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16 s.h.
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Concentration area (Choose one.) |
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14 s.h.
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10 s.h. 4 s.h. |
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10 s.h. 4 s.h. |
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10 s.h. 4 s.h. |
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6457, 6467. Advanced Vocal Accompanying (2,2) May be repeated for credit. Extensive study of techniques correlated with practical experience of performing with vocal majors. Accompanying of vocal music major in half recital in one of two semesters.
6557, 6567. Advanced Instrumental Accompanying/Chamber Music (2,2) May be repeated for credit. Extensive study of techniques correlated with practical experience of performing with instrumental majors. Accompanying of instrumental music major in half recital in one semester.
6993. Graduate Recital (1) May be repeated for credit. P: Acceptance in MM degree in accompanying; prior approval by appropriate faculty necessary before recital may be scheduled. Public performance of instrumental musical compositions appropriate to MM degree in accompanying.
6994. Graduate Recital (1) May be repeated for credit. P: Acceptance in MM degree in accompanying; prior approval by appropriate faculty necessary before recital may be scheduled. Public performance of vocal musical compositions appropriate to MM degree in accompanying.
5_ _1, 5 _ _2. Graduate Applied Music (1,2) May be repeated for credit. P: Graduate status in music; consent of instructor. Applied music study with appropriate instrument (choices below) or voice. One thirty-minute lesson weekly (1 s.h.) or one one-hour lesson weekly (2 s.h.).
6 _ _1, 6_ _2, 6_ _3, 6_ _4. Graduate Applied Music (1,2,3,4) May be repeated for credit. P: Graduate status in music; consent of instructor. Applied music study with appropriate instrument (choices below) or voice. One thirty-minute lesson weekly (1 s.h.) or one one-hour lesson weekly (2-4 s.h.).
Instruction is available for the following instruments:
| 01-Piano |
10-String Bass |
19-Trombone |
| 02-Organ |
11-Flute |
20-Euphonium |
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03-Harpsichord |
13-Oboe |
21-Tuba |
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05-Guitar |
14-Bassoon |
22-Percussion |
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06-Voice |
15-Clarinet |
23-Jazz |
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07-Violin |
16-Saxophone (alto or tenor) |
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| 08-Viola |
17-Trumpet |
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09-Cello |
18-Horn |
6105, 6115. Guitar Class (1,1) May be repeated for credit. May count toward graduate minor applied music requirement. P: Graduate status in music; consent of instructor. Fundamentals of beginning (6105) and intermediate (6115) guitar performance, including use of guitar as an accompanying instrument.
6231, 6232, 6233, 6234. Graduate Jazz (1,2,3,4) May be repeated for credit. P: Graduate school admission as non-degree or degree student. Technique and repertoire appropriate to jazz performance medium.
6995. Graduate Recital (2) May be repeated for credit. P: Acceptance into a degree program that requires a recital for graduation; prior approval by the requisite applied music faculty committee is necessary before the recital may be scheduled. Public performance of musical compositions appropriate to the student’s specific degree program.
5706, 5716. Advanced Applied Conducting (3,3) May be repeated for credit. Applied instrumental or choral conducting techniques. Score reading and analytical studies to develop knowledgeable interpretation of compositions for performance.
6706. Advanced Conducting (3) May be repeated for credit. Preparation of musical compositions for performance. Development of advanced skills in conducting technique, score reading, and musical analysis.
5937. Teaching Music in the Elementary School (2) May not count toward general education fine arts requirement. Materials, techniques, and all phases of elementary school music program.
5947. Choral Problems and Techniques (2) Seminar in problems pertaining to rehearsal and performance of choral music.
5957. Instrumental Problems and Techniques (2) Seminar in problems pertaining to elementary, middle school, and secondary school instrumental music programs.
5977. General Music in the Secondary Schools (2) May not count toward general education fine arts requirement. Contemporary concepts in teaching at middle, junior, and senior high school levels. Examination of literature and materials.
6048. Music for Children with Exceptionalities (2) Materials, procedures, methods, and activities applicable to teaching music for children with exceptionalities.
6217. Foundations of Instruction for Instrumental Music (2) Criteria for selection and use of music and materials in elementary school. Role of beginning instrumental music in schools and its relationship to entire school program.
6237. Foundations of Instruction for Vocal and General Music Education (2) Planning and evaluation of instruction for general music classroom. Elements of music and their related components. Voice classification, vocal technique, and role of choral program in elementary school.
6287. Laboratory Choral Experience in Music Education (2) Application of conducting skills and refinement of music teaching and rehearsal skills. Teaching approaches and choral rehearsal techniques for middle- and high-school singers.
6323. Materials and Methods in Music Education (2) Relevant issues in music education. Development of individual philosophy of music and musical instruction and specific techniques for teaching instrumental music in primary and secondary schools.
6333. Materials and Methods for Choral and Vocal Music Education (2) Organization, administration, motivation, discipline, and innovative methodology for choral and vocal teaching in primary and secondary schools.
6405. Laboratory Instrumental Experience in Music Education (2) Application of conducting skills and refinement of music teaching and rehearsal skills. Teaching approaches and instrumental rehearsal techniques for middle- and high-school students.
6836. Foundations, Leadership, and Communication in Music Education (3) Adaptations and implications for current practices to historical, philosophical, psychological, sociological, and theoretical foundations of music education and how these factors influence music teaching, leadership, communication, and learning.
6837. History and Philosophy of Music Education (3) Detailed survey from antiquity to present which lead to advancement of personal philosophy of music education.
6838. Research for Practitioners in Music Education (4) Recent developments in music education. Emphasis on research strategies for conducting field-based research.
6839. Methods, Materials, and Pedagogy in Music Education (3) Instructional techniques, methods, materials, pedagogy, and diversity in music education through critical analysis and review of contemporary methods.
6897. Seminar: Music in Higher Education (2) Historical development of music offerings at college level. Comparison of curriculum patterns in major divisions of collegiate music offerings. Relationship of music curricula to general education and professional subject areas.
6927. Seminar: Problems in Music Education (2) Research into specific problems in some phase of music education.
6937. Seminar: Problems in Music Education (2) Research into new problem in music education or continuation of problem first begun in MUSC 6927 that merits additional time and research.
6977. Curriculum Issues and Trends in Music Education (2) May be repeated for maximum of 6 s.h. Contemporary philosophies and objectives of music education in public education. Scope and sequence of K-12 music curriculum. Trends and developments of evaluative criteria.