School of Music

Faculty & Staff Directory

 Jami Rhodes, DMA

Jami Rhodes

Associate Professor of Voice
East Carolina University School of Music
206 Fletcher Music Center
Greenville, NC 27858
252-328-1244
rhodesja@ecu.edu

D.M.A., Louisiana State University; M.M. University of South Carolina; B.M., East Carolina University. A native of North Carolina, mezzo-soprano Jami Rhodes is currently Associate Professor of Voice at East Carolina University where she teaches applied studio voice, conducts the ECU Concert Choir, and coordinates the vocal pedagogy program. Dr. Rhodes has also taught in the NC public school system and currently serves on the faculty of the New York State Summer School for the Arts (NYSSSA) School of Choral Studies. She is an active member of the National Association of Teachers of Singing (NATS) and serves as advisor for ECU’s student NATS chapter. She is an active adjudicator and masterclass clinician in solo vocal and choral capacities and, in addition to her involvement with NATS, is also a member of NAfME and ACDA. Dr. Rhodes’ students have won top prizes at State, Regional, and National NATS competitions, the Classical Singer Vocal Competition, and the Orpheus National Vocal Competition, participate in young artist training programs across the country and abroad, and have gone on to pursue advanced degrees at prestigious institutions throughout the country. In 2018, Dr. Rhodes was named the recipient of ECU’s most prestigious teaching honor, The Board of Governor’s award for Excellence in Teaching.

An active performer in a variety of genres, Dr. Rhodes holds a number of favorite operatic roles to her credit including Rosina in Il Barbiere di Siviglia, Dorabella in Cosi fan tutte, Baba in The Medium, Madame de Croissy in Dialogues of the Carmelites, Jo in Little Women, Charlotte in Werther, Lucretia in The Rape of Lucretia, Florence Pike in Albert Herring, The Old Lady in Candide and the title role in Bizet’s Carmen. Dr. Rhodes has been a winner in the Orpheus National Vocal Competition and a District Winner and Regional Finalist in the Metropolitan Opera National Council Auditions. She has sung with Des Moines Metro Opera, Nashville Opera, Central City Opera, Lake George Opera, Opera in the Ozarks, the Ohio Light Opera, North Carolina Opera, the Greenville Choral Society and Orchestra, the Choral Society of Durham, the Louisiana Sinfonietta, the Baton Rouge Symphony Orchestra, the South Carolina Philharmonic, the Clemson Symphony Orchestra, the Wilmington Symphony, the Carolina Philharmonic, Symphony of the Mountains, the Knoxville Symphony, and the Austin Symphony.

Also a frequent of the concert stage, Dr. Rhodes has been heard as mezzo-soprano soloist in a number of works including Beethoven’s Symphony No. 9, Verdi’s Requiem, Handel’s Messiah, Saint-Saëns’ Oratorio de Noël, Bach’s Magnificat, Mendelssohn’s Elijah, Mozart’s Requiem, Haydn’s Lord Nelson Mass, Brahms’ Alto Rhapsody, Rossini’s Petit Messe Solennelle, and Schoenberg’s Pierrot lunaire. Her recording of Dinos Constantinides’ Marche de Galvez with the Louisiana Sinfonietta and Schola Cantorum was released by Centaur Records in February of 2008. Praised for her “impeccable comic timing” and “lovable and unique” characterizations, Dr. Rhodes is also active in operetta and cross-over repertoire. Her portrayal of the Baroness von Krakenfeldt can be heard on the Ohio Light Opera’s recording of Gilbert and Sullivan’s The Grand Duke released by Albany Records in 2003.

Recent and upcoming appearances include the role of Anita in Bernstein’s West Side Story, as well as multiple performances of Dominick Argento’s Pulitzer prize winning song cycle From the Diary of Virginia Woolf, Copland’s 8 Poems of Emily Dickinson, Mahler's Lieder eines fahrenden gesellen, Britten’s A Charm of Lullabies, Falla’s Siete canciones populares espanolas, Debussy’s Chansons de Bilitis, Schumann’s Frauenliebe und leben, and mezzo-soprano soloist in Britten’s Canticle II, Handel’s Messiah, Mozart’s Requiem, Brahms’ Alto Rhapsody, Saint-Saens’ Christmas Oratorio, Haydn’s Paukenmesse, Schoenberg’s Das Buch der hängenden Gärten, Durufle’s Requiem, Dvorak’s Stabat mater, and Rachmaninoff’s All Night Vigil.

Dr. Rhodes’ primary research focus is voice science and vocal pedagogy in the choral rehearsal. For more information on Dr. Rhodes, her research, and upcoming performances, conference presentations, clinics, and masterclasses, you can visit her personal website here.