College of Fine Arts and Communication
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Ara Gregorian - Rieko Aizawa - Edward Arron - Paul Biss - Natasha Brofsky - Christopher Buddo - Colin Carr - Catherine Cho - The Concert Truck - Peter Frankl - Miriam Fried - Emanuel Gruber - Ieva Jokubaviciute - Michael Kannen - Kim Kashkashian - Ani Kavafian - Ida Kavafian - Alan Kay - Hye-Jin Kim - Maria Lambros - Nick Luby - Robert McDonald - Jesse Mills - Adam Neiman - Maiya Papach - Daniel Phillips - Zvi Plesser - Raman Ramakrishnan - Jorge Richter - Marcy Rosen - Thomas Sauer - Keiko Sekino - Steven Tenenbom - Xiao-Dong Wang - Peter Wiley - Kwan Yi - Susan Zhang
Known for his thrilling performances and musical creativity, Gregorian made his New York recital debut in 1996 in Carnegie Hall’s Weill Recital Hall and his debut as soloist with the Boston Pops Orchestra in Symphony Hall in 1997. Since that time he has established himself as one of the most sought-after and versatile musicians of his generation with performances in New York’s Carnegie Hall, Avery Fisher Hall, Alice Tully Hall, Washington D.C.’s Kennedy Center and in major metropolitan cities throughout the world including Boston, Los Angeles, Chicago, Detroit, Houston, Dallas, Atlanta, Cleveland, Vancouver, Hong Kong, Shanghai, Beijing, Tel Aviv and Helsinki.
Throughout his career, Gregorian has taken an active role as a performer and presenter of chamber music. He is the founder and artistic director of the Four Seasons Chamber Music Festival in Greenville, North Carolina, and a member of the Cooperstown Quartet. He has appeared at festivals worldwide including the SpringLight (Finland), Storioni (Holland), Summer Solstice (Canada), Casals (Puerto Rico), Bard, Bravo! Vail Valley, Santa Fe, Skaneateles, Music in the Vineyards, Bach Dancing and Dynamite Society, Cactus Pear, Wintergreen, Mt. Desert, Madeline Island and Strings in the Mountains festivals. He has also performed extensively as a member of numerous chamber music ensembles including the Daedalus Quartet, Concertante and the Arcadian Trio and has recorded for National Public Radio, New York’s WQXR radio station, and the Bridge and Kleos labels.
An active and committed teacher, Gregorian has been a member of the violin faculty at East Carolina University since 1998 and has taught at numerous summer festivals and seminars. In addition, he has taken a leading role in creating opportunities for established musicians to perform with talented students in a mentoring setting through the Four Seasons Chamber Music Festival’s Next Generation concerts.
Gregorian received his bachelor and master of music degrees from The Juilliard School where he studied with Joseph Fuchs, Harvey Shapiro, and Robert Mann. He performs on a Francesco Ruggeri violin from 1690 and a Grubaugh and Seifert viola from 2006.
Japanese pianist Rieko Aizawa, discovered at age 13 by the late Alexander Schneider on the recommendation of pianist Mitsuko Uchida, has since established her own unique musical voice. Schneider engaged her as soloist with his Brandenburg Ensemble at the opening concerts of Tokyo's Casals Hall; later that year, Schneider presented 14-year-old Ms. Aizawa in her U.S. debut concerts at the Kennedy Center and Carnegie Hall, performing Mozart's Concerto No. 12 in A Major, K. 414, with his New York String Orchestra.
Praised by the NY Times for her “impressive musicality, a crisp touch and expressive phrasing,” Ms. Aizawa has performed in solo and orchestral engagements throughout the U.S., Canada and Europe, including Lincoln Center's Avery Fisher Hall, Boston's Symphony Hall and Chicago's Orchestra Hall. Highlights of recent seasons have included acclaimed performances with the New Japan Philharmonic under Seiji Ozawa, the English Chamber Orchestra under Heinz Holliger, the Festival Strings Lucerne in Switzerland under Rudolf Baumgartner, the St. Paul Chamber Orchestra under Hugh Wolff, the Curtis Institute Orchestra with Peter Oundjian, the St. Louis Symphony under David Loebel and a wonderfully received performance with the Vienna Chamber Orchestra. Ms. Aizawa also has a great interest in exploring unusual repertoire. In October 2007, the St. Paul Pioneer Press described her performance with the St. Paul Chamber Orchestra conducted by Hans Graf "the Salieri Piano Concerto in C was played so splendidly by Rieko Aizawa. Hers was a graceful reading. .... Aizawa's performance lent the work a respect it rarely receives." In the same year, she received the Washington Award.
As a recitalist, Ms. Aizawa has been heard in many North American cities, including New York, Philadelphia, Washington DC, St. Louis, Seattle, Boulder, Los Angeles, Houston, and Toronto; at the Caramoor International Festival; at Lincoln Center's Mostly Mozart Festival; Ravinia Festival, Gilmore Keyboard Festival. Following a recent all-Beethoven recital in Dresden, Germany, a reviewer wrote: "Her listeners followed her playing -full of details and delicate contrasts- breathlessly." Ms. Aizawa recently has started her "Prism" series in Japan, with tributes to Beethoven, Brahms and Schumann, and specially commissioned works for each program. She also will continue her exploration of Beethoven's music with a Beethoven cycle at Rutgers University in New Jersey. In 2006, Ms. Aizawa performed a series of all-Mozart recitals, a project jointly presented by WFMT-Chicago and Fazioli.
An avid chamber musician, Ms. Aizawa has performed with the Guarneri Quartet, the Orion Quartet, the Shanghai Quartet and the Amelia Piano Trio, and she has appeared in numerous festivals, such as the Marlboro Music Festival, U.S.A.; the Kammermusik Festival Moritzburg, Germany; and the Evian Festival, France. She also has been a guest artist of Boston's, Philadelphia's and Seattle's Chamber Music Society. Ms. Aizawa is a founding member of Horszowski Trio as well as the prize winning ensemble Duo Prism. Ms. Aizawa became the artistic director of the Alpenglow Chamber Music Festival in Colorado in 2010.
Ms. Aizawa received her Masters Degree from the Juilliard School, where she worked with Peter Serkin. She is also a graduate of the Curtis Institute of Music in Philadelphia, where she was awarded the prestigious Rachmaninoff Prize and studied with Seymour Lipkin, Peter Serkin, and Mieczyslaw Horszowski as his last pupil. March 2005 marked the release of Ms. Aizawa's first solo recording on the Japanese label Altus Music - a tour-de-force CD of Shostakovich's and Scriabin's "24 Preludes." Her second solo CD, of Faure's and Messiaen’s preludes, will come out in 2013.
Ms. Aizawa lives in New York City, and she is on the faculty at Longy School of Music of Bard College. Ms. Aizawa is a Steinway Artist.
Cellist Edward Arron has garnered recognition worldwide for his elegant musicianship, impassioned performances, and creative programming. A native of Cincinnati, Ohio, Mr. Arron made his New York recital debut in 2000 at the Metropolitan Museum of Art. Since that time, he has appeared in recital, as a soloist with major orchestras, and as a chamber musician throughout North America, Europe and Asia.
The 2018-19 season marks Mr. Arron’s tenth anniversary season as the artistic director and host of the acclaimed Musical Masterworks concert series in Old Lyme, Connecticut. He is also the artistic director of the Festival Series in Beaufort, South Carolina, and is the co-artistic director with his wife, pianist Jeewon Park, of the Performing Artists in Residence series at the Clark Art Institute in Williamstown, Massachusetts. With violinists James Ehnes and Amy Schwartz Moretti, and violist Richard O’Neill, Mr. Arron tours as a member of the renowned Ehnes Quartet. He appears regularly at the Caramoor International Music Festival, where he has been a resident performer and curator of chamber music concerts for over a quarter of a century. In 2013, he completed a ten-year residency as the artistic director of the Metropolitan Museum Artists in Concert, a chamber music series created in 2003 to celebrate the 50th anniversary of the Museum’s prestigious Concerts and Lectures series.
Mr. Arron has performed numerous times at Carnegie’s Weill and Zankel Halls, Lincoln Center’s Alice Tully and Avery Fisher Halls, New York’s Town Hall, and the 92nd Street Y, and is a frequent performer at Bargemusic. Festival appearances include Four Seasons, Ravinia, Salzburg, Mostly Mozart, Bravo! Vail, Tanglewood, Bridgehampton, Spoleto USA, Santa Fe, Seattle Chamber Music, Kuhmo, PyeongChang, Evian, Charlottesville, Telluride Musicfest, Seoul Spring, Lake Champlain Chamber Music, Chesapeake Chamber Music, La Jolla Summerfest, and Bard Music Festival. He has participated in Yo-Yo Ma’s Silk Road Project as well as Isaac Stern’s Jerusalem Chamber Music Encounters. Mr. Arron’s performances are frequently broadcast on NPR’s Performance Today.
Edward Arron began playing the cello at age seven in Cincinnati and continued his studies in New York with Peter Wiley. He is a graduate of the Juilliard School, where he was a student of Harvey Shapiro. In 2016, Mr. Arron joined the faculty at University of Massachusetts Amherst, after having served on the faculty of New York University from 2009 to 2016.
Violinist, violist and conductor Paul Biss has appeared in recital, with orchestra, and in chamber music performances throughout North America, Mexico, Europe, Israel, and Korea.
Biss has participated in numerous festivals as a violinist and as a violist. He was a member of the Berkshire Quartet, and was a participant at the Marlboro Music Festival for six summers. He has also appeared at other festivals such as the Ravinia, La Jolla, Lockenhaus, Casals, Naantali, and the Ysaye, at Wigmore Hall.
Prior to coming to NEC, Paul Biss was a professor of violin for more than 25 years at Indiana Unniversity, teaching violin and chamber music, and conducting more than a 100 symphonic and operatic performances.
His former students hold positions in major orchestras in the U.S. and Europe, and have won prizes in major international and national competitions including first prizes in the Sibelius, Leopold Mozart, and Stulberg competitions.
Recent concerts and teachings have taken Biss to Ireland, England, Brazil and Korea.
Cellist Natasha Brofsky has enjoyed a performing and teaching career which has taken her to China and Europe as well as to many cities in the US. As a member of the renowned Peabody Trio for seventeen years, Ms. Brofsky performed on important chamber music series throughout the U.S., Canada and the U.K and was heard on numerous radio broadcasts. Champions of new music as well as the classics, the trio recorded on the New World, CRI, and Artek labels. Ms. Brofsky has also enjoyed performing as a guest with the Borromeo, Jupiter, Norwegian, Parker, Prazak ,Takács and Ying Quartets. Since 2016 she has been artistic director of Music for Food’s New York chapter, a musician-led initiative for local hunger relief.
Upon graduating from the Eastman School with a Performer’s Certificate award, Ms. Brofsky moved to the UK on a Fulbright scholarship. During nearly a decade in Europe she won the Muriel Taylor cello prize and held principal positions in the Norwegian Radio Orchestra and the Norwegian Chamber Orchestra under Iona Brown. She was a member of the Serapion Ensemble and the string trio Opus 3 and a regular participant at IMS Open Chamber Music in Prussia Cove, England. Previous solo recordings include the Fantasy Variations of Shulamit Ran and Olav Anton Thommessen's Concerto for Cello and Winds, The Phantom of Light.
A sought-after teacher, Natasha Brofsky serves on the cello faculty of the Juilliard School. Previously a member of the New England Conservatory cello faculty for fourteen years, she also served on the faculty of Barratt-Due Musikk Institutt in Oslo, Norway. She spends her summers at the Yellow Barn Festival in Vermont and the Kneisel Hall Festival in Maine. Ms. Brofsky has given master classes at many colleges and conservatories in the US and abroad, including for El Sistema in Venezuela as well as at Oberlin Conservatory, The Eastman School, Mannes College and the Shanghai Conservatory and Middle School and online at CelloBello.com. Recent articles on string playing appeared in The Strad Magazine and on Violin Channel.
She lives in New York City with her husband Roger Tapping and their two daughters, Cordelia and Eleanor.
J. Christopher Buddo has been Dean of the College of Fine Arts and Communication at East Carolina University since 2012. He came to ECU in 2006 as Director of the School of Music. Previously he held faculty and administrative positions at Baylor University in Waco, Texas. He has also taught at Augustana College, Rock Island, Illinois and the University of Northern Iowa, Cedar Falls, Iowa.
As a double bassist, he has performed with the Birch Creek Summer Music Festival in Door County Wisconsin and the Bedford Springs Music Festival in Pennsylvania. He has also played with the Fort Worth Symphony Orchestra, the Waco Symphony, the Des Moines Symphony, the Quad-City Symphony, the Cedar Rapids Symphony, Waterloo-Cedar Falls Symphony, and the Roanoke Symphony. As a conductor, Dr. Buddo has led numerous opera productions, he has directed the Iowa City Youth Orchestra, and was the founding conductor of the Waco Symphony Youth Orchestra.
Colin Carr appears throughout the world as a soloist, chamber musician, recording artist, and teacher. He has played with major orchestras worldwide, including the Royal Concertgebouw Orchestra, The Philharmonia, Royal Philharmonic, BBC Symphony, the orchestras of Chicago, Los Angeles, Washington, Philadelphia, Montréal and all the major orchestras of Australia and New Zealand. Conductors with whom he has worked include Rattle, Gergiev, Dutoit, Elder, Skrowasczewski and Marriner. He has been a regular guest at the BBC Proms, has twice toured Australia, and has recently played concertos with the London Philharmonic, Toronto Symphony and Halle Orchestra.
Last season Colin performed cycles of Beethoven’s complete works for cello and piano with his duo partner Thomas Sauer throughout the United States and in England, Germany and France. They have recently played recitals together at the Concertgebouw in Amsterdam, Philadelphia’s Chamber Music Society and at the Wigmore Hall in London. Colin has also played several cycles of the Bach Solo Suites at the Wigmore Hall, in the United States at the Chamber Music Society of Lincoln Center and the Gardner Museum in Boston and recently in Montreal, Toronto, Ottowa and Vancouver.
Colin’s recordings for GM of the Bach Suites and the unaccompanied cello works of Kodaly, Britten, Crumb, and Schuller are highly acclaimed, as is his recent recording of the complete cello/piano works of Mendelssohn with Thomas Sauer on Cello Classics. The Brahms Sonatas on Arabesque, with pianist Lee Luvisi, is also a favorite and the Wigmore Live Label will release a new recording of the Bach Suites in 2013. The MSR label will release the complete Beethoven cello/piano music (also with Tom Sauer) at the same time. Colin was the soloist in Elgar’s Cello Concerto in a BBC Music Magazine recording with the BBC Philharmonic. Sony will release a new recording of Tchaikovsky and Schoenberg sextets with the Emerson Quartet, also in 2013.
As a member of the Golub-Kaplan-Carr Trio, he recorded and toured extensively for 20 years. Chamber music plays an important role in his musical life. He is a frequent visitor to international chamber music festivals worldwide and has appeared often as a guest with the Guarneri and Emerson string quartets and with New York's Chamber Music Society of Lincoln Center. In 2012 he recorded the string sextets of Schoenberg and Tchaikovsky with the Emerson String Quartet and Paul Neubauer and this season he is playing with the same group in two concerts at Carnegie Hall.
Colin is the winner of many prestigious international awards, including First Prize in the Naumburg Competition, the Gregor Piatigorsky Memorial Award and Second Prize in the Rostropovich International Cello Competition.
He first played the cello at the age of five. Three years later he went to the Yehudi Menuhin School, where he studied with Maurice Gendron and later William Pleeth. He was made a professor at the Royal Academy of Music in 1998, having been on the faculty of the New England Conservatory in Boston for 16 years. In 1998, St. John’s College, Oxford created the post of “Musician in Residence” for him, and in September 2002 he became a professor at Stony Brook University in New York.
Mr. Carr’s cello was made by Matteo Gofriller in Venice in 1730. He makes his home with his wife Caroline and 3 children, Clifford, Frankie and Anya, in an old house outside Oxford.
Catherine Cho is recognized for her remarkable virtuosity, combining technical mastery of her instrument with an extraordinary and distinctive musicality. Praised by The New York Times for her "sublime tone", she has appeared worldwide as soloist with many orchestras and chamber ensembles as well as in recital. Her repertoire ranges from the traditional works by Bach, Beethoven, Mozart and Brahms to those of Bartók, Korngold and Berg, in addition to music of our time.
Catherine Cho's orchestral engagements have included appearances with the Detroit, Montreal, and Washington DC's National Symphony orchestras, the Buffalo Philharmonic, the National Arts Centre Orchestra in Ottawa, the Edmonton Symphony, the Korean Broadcasting Symphony, the symphony orchestras of Barcelona, Haifa, and New Zealand, the Het Gelders Orkest in Holland, the Orchestra of the Teatro Colon in Buenos Aires, and the Aspen Chamber Symphony performing with distinguished conductors such as Mstislav Rostropovich, Robert Spano, Sixten Ehrling, Hugh Wolff, and Franz-Paul Decker. A regular guest on tour with "Musicians from Marlboro", Ms. Cho has also been a frequent participant in their summer Music Festival in Vermont since 1993.
She has performed as special guest soloist with the New York City Ballet at Lincoln Center for two ballets by renowned choreographer Peter Martins including the New York premiere of his ballet Viva Verdi. Her concert performance of Vivaldi's Four Seasons, with the Buffalo Philharmonic under the baton of Jo-Ann Falletta, was taped live and broadcast nationwide on National Public Television in January 2002. In broadcasts heard around the world, Catherine Cho has appeared on such stations as Radio Frankfurt (Germany), CBC (Canada), WQXR (New York City), and National Public Radio. Her performance of Vivaldi's Four Seasons with the Korean Chamber Ensemble was recorded live and released on Credia Classics.
As a recitalist and chamber musician, Catherine Cho has performed on the prestigious stages of Alice Tully Hall with the Chamber Music Society at New York's Lincoln Center, the Mozarteum in Salzburg, the Casals Hall in Tokyo, the Seoul Arts Center, the Kennedy Center for the Performing Arts in Washington, DC, the New York Metropolitan Museum of Art, the Isabella Stewart Gardner Museum of Boston, and on Ravinia's "Rising Stars" series in Chicago. She has performed the complete cycle of Violin Sonatas by Beethoven at HOAM Art Hall in Seoul, Korea with pianist, Mia Chung, and a recital of five Beethoven Sonatas at the Rockport Chamber Music Festival. Ms. Cho has appeared at the Aspen, Marlboro, Bridgehampton, Eastern Shore, Santa Fe, and Skaneateles Festivals as well as at Bargemusic and Chamber Music Northwest in Portland, OR. She has collaborated with such renowned artists as Richard Stoltzman, Andras Schiff, Anton Kuerti, Mitsuko Uchida; the members from the Guarneri, Orion and Juilliard String Quartets, and the Beaux-Arts Trio. She has been invited for several summers to teach at Mark O'Connor's String Conference in San Diego where she has collaborated with Mark O'Connor and Natalie MacMaster. Ms. Cho was a member of the Johannes String Quartet from 2003 to 2006, and is a founding member of the chamber ensemble, La Fenice.
Among her various awards, scholarships, and achievements, Ms. Cho was a recipient of both the 1995 Avery Fisher Career Grant and, Korea's 1995 World Leaders of Tomorrow Award as presented by the Korea Central Daily News in recognition of outstanding achievement and commendable leadership in the Arts. She was the recipient of the 1994 Sony ES Award for Musical Excellence; a top prize winner at the 1991 Hannover International Violin Competition, the 1989 Queen Elizabeth Music Competition of Belgium, the 1987 Montreal International Music Competition. In 1995 Catherine Cho served on the jury of the Montreal International Violin Competition. In 1996 she was selected for the Janet and Avery Fisher Music Residency Program at Goucher College. Ms. Cho holds a Masters Degree from The Juilliard School where she studied with Dorothy DeLay and Hyo Kang, and coached chamber music with Felix Galimir. Her former teachers include Ruggiero Ricci, Franco Gulli, and Michael Avsharian. Ms. Cho is a faculty member of The Juilliard School, and has taught at the Heifetz Institute, Killington Music Festival, Seoul Music Festival, Starling-DeLay Symposium, Perlman Music Program, Great Mountains Music School and Festival, and coached chamber music at the New York String Seminar.
Devoted to the cause of promoting peace through music, Catherine Cho was VP of the Board of Musicians For Harmony for several years, and is an artist member of Music For Food, a musician led initiative to fight hunger in our local communities.
Catherine lives in Brooklyn, NY with her devoted husband, Todd Phillips, and her sweet son, Brandon. She is the stepmom of three lovely stepchildren, Lia, Eliza, and Jason. When she is away from her teaching and performances, you may find Catherine making soup in her crock pot, baking, practicing yoga, catching up with the New York Times, or creating crafts with her family.
The Concert Truck began with a bold and rebellious vision: to take quality, live classical performances out of concert halls and into unexpected public spaces. Impassioned by their love for classical music and belief in its power to capture the deepest human emotions, pianists Nick Luby and Susan Zhang converted a 16-foot box truck into a fully functioning mobile concert hall, complete with lights, sound system, and grand piano. Since then, The Concert Truck has performed across the country in schools, parks, shelters, town centers... anywhere you can think to park a truck. The Concert Truck's mission is to share classical music with people from all walks of life and bring them together through a shared experience of great art.
The Concert Truck has toured across the country and has been featured by Voice of America - VOA, Minnesota Public Radio, the Baltimore Sun, WYPR Maryland, and several local TV news stations including SCETV and WDAY Channel 6 News Fargo. Launched in April 2016, The Concert Truck gave eight performances throughout the city of Columbia, SC in five days. The Concert Truck received First Prize for the 2015 Creativity in Music Award given by SPARK: Carolina's Music Leadership Laboratory and Most Original Idea in the 2018 Johns Hopkins University Business Plan Competition.
Peter Frankl made his name on the international circuit as a young pianist in the 1960s. Following his London debut in 1962 and his New York debut with the Cleveland Orchestra in 1967, he has been performing with many orchestras in the USA (Chicago, Philadelphia, Boston, Washington, Los Angeles, San Francisco, Pittsburgh etc), the Berlin Philharmonic, Leipzig Gewandhaus, Amsterdam Concertgebouw, Orchestre de Paris, Israel Philharmonic, all London orchestras and many others in Europe and all parts of the world. He has appeared with conductors like Abbado, Ashkenazy, Barbirolli, Blomstedt, Boulez, Chailly, Davis, Doráti, Fischer, Haitink, Kempe, Kertész, Leinsdorf, Maazel, Masur, Muti, Sanderling, Solti, Szell, among others.
His many tours have taken him often to Japan, Australia, New Zealand and South Africa, playing with orchestras, in recitals and also in chamber music concerts. He has appeared over twenty times at London’s BBC Promenade Concerts and has been a regular participant at the Edinburgh, Cheltenham, Aldeburgh, Verbier, Kuhmo, Naantali and Casals Festivals. Among the highlights of his many Edinburgh Festival appearances were his performance of the Britten Concerto under the baton of the composer and an opening televised concert with the Philharmonia Orchestra conducted by Muti. He was the soloist at the Enescu Festival in Bucharest with the Budapest Festival Orchestra at one of the last concerts Yehudi Menuhin ever conducted.
In the USA, Peter Frankl has been regular guest–artist at summer festivals in Aspen, Chautauqua, Hollywood Bowl, Marlboro, Norfolk, Ravinia, Santa Fé and Yellow Barn. For many years the Frankl-Pauk-Kirshbaum trio travelled the world. He often performs with string quartets like the Amadeus, Bartók, Borodin, Fine Arts, Guarneri, Lindsay, Panocha, Takács, Tokyo and Vermeer. He has given master classes all over the world, including the Royal Academy and Royal College in London, Liszt Academy in Budapest, Van Cliburn Institute in Texas, in Berlin, Madrid, Beijing, Hong Kong and Seoul. Among his many recordings are the complete Schumann and Debussy piano works (with Andras Schiff the Schumann 2-piano and 4-hand repertoire); both Brahms’ Concerti, Violin Sonatas - with Kyung Wha Chung -; Mozart Concerti, Violin Sonatas and 4-hand works; Bartok solo works and violin pieces ; Piano Quintets of Brahms, Schumann, Dvorak, Martinu and Dohnanyi.
Peter Frankl has been on many jury panels of International Piano Competitions, like Van Cliburn, Rubinstein, Leeds, Santander, Hilton Head, William Kappell, Hong Kong, Clara Haskil, Paderewski, Marguerite Long, Queen Elizabeth in Brussels, Manchester, Shanghai and, as chairman, in Cleveland.
Peter Frankl studied at the Franz Liszt Academy in Budapest with Professors Hernádi, Kodály and Weiner and won first prizes at several international competitions. He lives in London and is on the faculty of Yale University School of Music. In recognition of his artistic achievements he was awarded the Officer’s Cross and Middle Cross by the Hungarian Republic. He is Honorary Professor of the Liszt Academy.
Miriam Fried has been recognized for years as one of the world’s preeminent violinists. A consummate musician—equally accomplished as recitalist, concerto soloist or chamber musician—she has been heralded for her “fiery intensity and emotional depth” (Musical America) as well as for her technical mastery. Fried has played with virtually every major orchestra in the United States and Europe and has been a frequent guest with the principal orchestras of Boston, Chicago, Cleveland, New York, Philadelphia, and Pittsburgh, as well as with the Israel Philharmonic, the London Symphony, the Royal Philharmonic, and the Vienna Symphony.
Recital tours have taken her to all of the major music centers in North America and to Brussels, London, Milan, Munich, Rome, Paris, Salzburg, Stockholm, and Zurich.
In recent seasons, her schedule has included orchestral engagements with such prestigious ensembles as the Berlin Philharmonic, the Orchestre de Paris, the Czech Philharmonic, the Los Angeles Philharmonic, the Jerusalem Symphony, the Orquesta Filarmonica de Mexico, the Japan Philharmonic, the Montreal Symphony, the St. Petersburg Philharmonic, the Milwaukee Symphony, and the BBC Philharmonic. She premiered a violin concerto written for her by Donald Erb with the Grand Rapids Symphony and recorded the work for Koss in 1995.
Since 1993, she been chair of the faculty at the Steans Institute for Young Artists at the Ravinia Festival, one of the country’s leading summer programs for young musicians. Her involvement there has included regular performances, including recitals and concerts with the Chicago Symphony. Fried’s highly praised 1985 New York recitals of the complete Bach Sonatas and Partitas for solo violin were the culmination of three years of international performances. She returned to this music with a recording made in France for the Lyrinx label. She has also made a prize-winning, best-selling recording of the Sibelius Concerto for the Finlandia label with the Helsinki Philharmonic under the direction of Okko Kamu.
Chamber music plays an important role in Fried’s musical life. She was first violinist of the Mendelssohn String Quartet until it disbanded after 30 years, and has collaborated with such distinguished artists as Isaac Stern, Pinchas Zukerman, Garrick Ohlsson, Nathaniel Rosen, her son, pianist Jonathan Biss, and her husband, violinist/violist Paul Biss. She has been featured guest artist at Chamber Music East in Boston, the La Jolla Chamber Music Society SummerFest, the Lockenhaus Festival, and the Naantali Festival in Finland.
Miriam Fried’s successful solo career was launched in 1968 after she was awarded First Prize in Genoa’s Paganini International Competition. Three years later she claimed top honors in the Queen Elisabeth International Competition, where she gained further world attention by becoming the first woman ever to win the prestigious award. Her early childhood included lessons with Alice Fenyves in Tel Aviv, as well as the opportunity to meet and play for the many great violinists who visited Israel, including Isaac Stern, Nathan Milstein, Yehudi Menuhin, Henryk Szeryng, Zino Francescatti, and Erica Morini. She came to the United States as a protégée of Isaac Stern, and continued her studies with Ivan Galamian at the Juilliard School and with Joseph Gingold at Indiana University.
Emanuel Gruber is celebrated as a soloist, chamber musician, recording artist and teacher. He has brought his “authority, sensitivity to musical values, wide dynamic range, and great mastery of his instrument” (Music Journal, New York) to collaborations with artists such as Neville Marriner, Rudolf Barshai, Shelomo Mintz, Pinkas Zukerman, Miriam Fried, Philippe Entremont, Jean Bernard Pommier, Tamas Vasary, and Janos Starker. “One of our great artists” the Jerusalem Post wrote, citing “his extraordinary capacity for projecting the deepest meaning of the music”. Awarded the Pablo Casals Prize by the Philharmonic Orchestra, he also won the Concert Artists’ Guild Auditions early in his career. He has been principal cellist of the Israel Chamber Orchestra and co-‐principal of the Los Angeles Chamber Orchestra. He was a member of Sequoia Quartet, Camerata Trio, Tel Aviv Piano Quartet, and leader of the Israel Cello Ensemble. Emanuel Gruber has performed in many major festivals including Salzburg ( Austria), Bath (England), San Sebastian (Spain), Northwestern (Portland), Eilat (Israel), Musike (France), Musical Spring (St. Petersburg) and Rostropovich Cello Festival (Riga). He was Jury member for the Davidoff International Cello Competition in Latvia and for the Salou Music Competition in Spain. Mr. Gruber has been visiting Professor at the Indiana University School of Music in Bloomington and has taught at the Academy of Music in Tel Aviv and in Jerusalem. Currently he teaches cello and chamber music at East Carolina University. During the summer he teaches and performs at Summit Music Festival in New York and Zodiac Music Festival in France.
Known for her deep musical and emotional commitment to a wide range of repertoire, Lithuanian pianist Ieva Jokubaviciute performs regularly for audiences in the US and Europe. Her ability to communicate the essential substance of a work has led critics to describe her as possessing ‘razor- sharp intelligence and wit' (The Washington Post) and as ‘elegant and engaging' (The Wall Street Journal). In 2006, she was honored as a recipient of a Borletti-Buitoni Trust Fellowship.
In late 2010, Labor Records released Ieva’s Alban Berg Tribute recording comprising Berg’s piano sonata and previously unknown or unrecorded works written in tribute to Berg by Giacinto Scelsi, Franghiz Ali-Zadeh, Ross Lee Finney, Jacob Gilboa, and Hans Erich Apostel. London’s Sunday Times called it a ‘very interestingly devised debut disc’, and the New York Times lauded it and described Ieva as “an artist of commanding technique, refined temperament and persuasive insight” and as “an authoritative and compelling guide throughout this fascinating disc.”
In the wake of this enthusiastic critical reception, Ieva has performed the Berg sonata in a number of different programs and contexts throughout the US and Europe over the last seasons. Ieva was invited by Festival Pianos aux Jacobins in Toulouse to give her French recital debut in September 2011. Ieva’s performance of works written in the first decade of the 20th century – Debussy, Janacek, Scriabin, Berg, Schoenberg—was described as ‘revelatory’, as demonstrating ‘impressive intensity’, and as ‘illuminating each piece with a deep luminescence’ by Voix du Gars. Next season, Ieva will present this program in her return to the Philadelphia Chamber Music Society for her recital debut in January of 2013.
With a reputation for presenting masterful and insightful programs, Ieva regularly gives recitals in major American and European cities—most recently in France, on the Dame Myra Hess series in Chicago, at Caspary Hall in New York City, in Vilnius, Lithuania, and at the Smithsonian Institution's Freer Gallery in Washington DC where she performed a program in conjunction with an exhibit on the 19th century American painter James McNeil Whistler. The Washington Post called her a ‘splendid colorist' and described her performance as ‘magical tone-painting'.
Ieva made her Chicago Symphony debut at the Ravinia Festival in June of 2005 under the baton of James Conlon and her orchestral debut in Rio de Janeiro, Brazil performing Mozart's K. 488 under the baton of Ligia Amadio the following season. She has also performed concerti with the Chamber Orchestra of Philadelphia, The Gratz University Orchestra, and the Lithuanian National Symphony.
In June of 2009, Ieva’s piano trio—Trio Cavatina with Harumi Rhodes and Priscilla Lee—won the Naumburg International Chamber Music Competition and made its Carnegie Hall debut in May of 2010 and its San Francisco debut at Herbst Theater later that year. Since its New York City debut at the New School and its Boston debut at Jordan Hall in 2006, the trio has become a prominent force within the chamber music culture in the US and tours extensively throughout the country.
A much sought after chamber musician and collaborator, Ieva’s chamber music endeavors have brought her to major stages around the world such as Carnegie Hall's Stern Auditorium, London’s Wigmore Hall, Washington DC’s Kennedy Center, and on national tours with Musicians from Marlboro. Ieva has appeared as a guest artist in chamber music performances on National Public Radio’s Performance Today, with New York Philharmonic musicians at Merkin Hall, and with Boston Symphony musicians at Tanglewood.
Ieva regularly appears at international music festivals including: Marlboro, Ravinia, Bard, Caramoor, Chesapeake Chamber Music, Prussia Cove in Cornwall, England, and Festival de la musique de chambre at La Lointaine in France. She has participated in the Schleswig-Holstein Festival in Lubeck, Germany, the Katrina Chamber Music Festival, Aland Islands, Finland, the Oulunsalo Chamber Music Festival in Oulunsalo, Finland, the Joaquin Turina Chamber Music Festival in Seville, Spain, and Music in the Vineyards in Napa Valley, CA, the Lake Champlain Chamber Music Festival in Burlington, VT, among others.
For five years, Ieva served on the faculty of the Steans Institute for Young Artists at the Ravinia Festival as a Collaborative Pianist. Earning degrees from the Curtis Institute of Music and from Mannes College of Music, her principal teachers have been Seymour Lipkin and Richard Goode.
Cellist Michael Kannen has distinguished himself as a musician and educator of uncommon accomplishment who is comfortable in widely diverse musical situations and venues. He was a founding member of the Brentano String Quartet and for seven years performed with that group on concert stages around the world, on radio and television, and on recordings. During those years, the Brentano Quartet was awarded the first Cleveland Quartet Award, the Naumburg Chamber Music Award, a Royal Philharmonic Award and was the first participant in the Chamber Music Society of Lincoln Center II program.
Kannen continues to perform chamber music around the country as a member of the Cooperstown Quartet, the Apollo Trio, on period instruments with the Houston-based group Context and at major music festivals such as Yellow Barn, Chamber Music Northwest, Portland Chamber Music Festival and the International Musicians Seminar in Prussia Cove, England. Kannen has collaborated with such artists as Jessye Norman, Phyllis Bryn-Julson, Sergiu Luca, Donald Weilerstein, Pamela Frank, Leon Fleisher, Mitsuko Uchida, Peter Frankl, Paula Robison, Charles Neidich, Steven Isserlis, and with jazz artists Michael Formanek and Uri Caine. His activities range from performances on period instruments to premieres of the music of our time. He has recorded for the CRI label. Kannen has served on the faculties of Dartmouth College and the Purchase College Conservatory. He is currently the Director of Chamber Music at the Peabody Conservatory of Music, where he holds the Sidney Friedberg Chair in Chamber Music.
Kim Kashkashian is recognized internationally as a unique voice on the viola. Her studies were with Karen Tuttle at the Peabody Conservatory of Music and with Felix Galimir at the Marlboro Festival.
Ms. Kashkashian won the 2013 Grammy Award in the "Best Classical Instrumental Solo" category for Kurtag and Ligeti: Music for Viola.Other recorded repertoire has won both Edison Prize and Cannes Classical Award. Kim was awarded the George Peabody Medal for outstanding contributions to music in America, as well as the prestigious Golden Bow award of Switzerland. In 2016 Ms. Kashkashian was elected a Fellow of the American Academy of Arts and Sciences.
As an advocate of contemporary music, she has worked in collaboration with composers Mansurian, Eotvos,Ueno, Olivero, Auerbach ,Penerecki, Kurtag and Hosokawa.
She is a regular participant at the Verbier, Salzburg, Lockenhaus, Marlboro, and Ravinia festivals. As soloist, she has appeared with the major orchestras of Berlin, London, Vienna, Paris, Milan, New York, and Cleveland and presented recitals with her duo partner Robert Levin in New York, Boston, Baltimore San Francisco, Philadelphia, Pittsburgh, Cleveland, Frankfurt, Berlin, Vienna, Munich, Paris, Athens, and Tokyo.
Ms. Kashkashian coaches chamber music and viola at the New England Conservatory, and is a founding member of Music for Food, an initiative by musicians to fight hunger in their home communities. To learn more, go to musicforfood.net.
Violinist Ani Kavafian enjoys a prolific career as a soloist, recitalist, and chamber musician. She has performed with virtually all of America’s leading orchestras, including the New York Philharmonic, Philadelphia Symphony Orchestra, Cleveland Symphony Orchestra, Los Angeles Chamber Orchestra, Detroit Symphony Orchestra, San Francisco Symphony Orchestra, and many others. She is a renowned chamber musician, and has performed with the Chamber Music Society of Lincoln Center since 1979. Her numerous solo recital engagements include performances at New York’s Carnegie and Alice Tully halls, as well as in major venues across the country.
Ani Kavafian continues her association as an artist member of the Chamber Music Society of Lincoln Center with a number of appearances in NYC and around the United States. She also serves as concertmistress of the New Haven Symphony Orchestra, with whom she has recorded the Mozart Violin Concertos. She has participated in the Heifetz International Music Institute, Bravo! Vail Valley Music Festival, Norfok Chamber Music Festival, Great Lakes Festival, the Bridgehampton Chamber Music Festival, and Music from Angel Fire Festival.
Kavafian appears frequently with her sister, violinist and violist Ida Kavafian. Together they have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. They celebrated the 25th anniversary of their first performance together at Carnegie Hall in the fall of 2008 with a concert at Lincoln Center, which featured their students and colleagues.
With violist Barbara Westphal and cellist Gustav Rivinius, she is a member of the Trio da Salo, and has teamed with clarinetist David Shifrin and pianist Andre-Michel Schub to form the Kavafian-Schub-Shifrin Trio, with whom she tours frequently as violinist and violist. Along with cellist, Carter Brey, she is co-artistic director of the New Jersey 5 concert chamber music series “Mostly Music.”
Kavafian has premiered and recorded a number of works written for her, including Henri Lazarof’s Divertimento for Violin and String Orchestra with the Seattle Symphony; Tod Machover’s concerto, Forever and Ever, for computerized violin and orchestra, with the Boston Modern; and Michelle Ekizian’s Red Harvest with the Brooklyn Philharmonic. In addition, Kavafian gave the west coast premiere of Aaron Kernis’ Double Concerto for Violin and Guitar, with Sharon Isbin and the Los Angeles Chamber Orchestra.
Ani Kavafian has received the Avery Fisher Career Grant and the Young Concert Artists International Auditions award, has appeared at the White House on three separate occasions, and has been featured on many network and PBS television music specials. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Kavafian and Kenneth Cooper have recorded Bach’s Six Sonatas for Violin and Fortepiano on Kleos Classics of Helicon Records. A recording of string trios by Mozart and Beethoven by the Trio da Salo has been released, also on Kleos. Mozart Piano and Violin Sonatas with pianist Jorge Federico Osario was recently released by Artek.
Born in Istanbul, Turkey of Armenian heritage, Kavafian began piano lessons at the age of three. At age nine, in the United States, she began the study of the violin with Ara Zerounian and eventually with Mischa Mischakoff. She went on to study violin at the Juilliard School with Ivan Galamian, eventually receiving a master’s degree with highest honors. Ms. Kavafian is Professor of Violin at Yale University. She plays the 1736 Muir McKenzie Stradivarius violin.
Internationally acclaimed as a violist as well as violinist, the versatile Ida Kavafian is an artist-member of the Chamber Music Society of Lincoln Center and former violinist of the Beaux Arts Trio. She has been artistic director of Music from Angel Fire in New Mexico for thirty-one years and invites several Curtis students to participate in its Young Artist Program each year. She was a founder of the Bravo! Colorado festival, serving as its artistic director for ten years; and co-founded the chamber ensembles Opus One, Tashi, and Trio Valtorna. She also performs as a soloist and in recital with her sister, Ani.
Ms. Kavafian has premiered numerous works, including concertos by Toru Takemitsu and Michael Daugherty, whose Fire and Blood she recorded with the Detroit Symphony. She has toured and recorded with jazz artists Chick Corea and Wynton Marsalis, and fiddler/composer Mark O'Connor.
Born in Istanbul of Armenian parentage, Ms. Kavafian is a graduate of the Juilliard School, where she studied with Oscar Shumsky. She made her debut under Young Concert Artists with the pianist Peter Serkin, and also received the coveted Avery Fisher Career Grant. She resides with her husband, violist Steven Tenenbom, in Philadelphia and Connecticut, where they breed and train prizewinning Hungarian vizsla show dogs.
Ms. Kavafian also teaches at the Juilliard School as well as the Bard College Conservatory of Music. Since 1998 she has served on the faculty of the Curtis Institute of Music, where she received the 2013 Lindback Foundation Award for Distinguished Teaching.
Praised by the New York Times for his “spellbinding” performances and “infectious enthusiasm and panache,” Alan R. Kay is Principal Clarinetist and an Artistic Director of Orpheus Chamber Orchestra as well as Principal Clarinet of New York’s Riverside Symphony and the Little Orchestra Society. He also appears as Principal with the American Symphony and the Orchestra of St. Luke’s.
Mr. Kay’s honors include the 2015 Classical Recording Foundation Samuel Sanders Chamber Music Award, the C.D. Jackson Award at Tanglewood, a Presidential Scholars Teacher Recognition Award, Juilliard’s 1980 Competition, and the 1989 Young Concert Artists Award with the sextet Hexagon later featured in the prizewinning documentary film, “Debut.” Mr. Kay is a founding member of Hexagon and Windscape Quintet. Summer festivals include Yellow Barn, Bach Dancing and Dynamite Society and Holland’s Orlando Festival. His innovative programming for the New York Chamber Ensemble was a regular feature of the Cape May Music Festival for 26 years.
Mr. Kay has recorded with Hexagon, Windscape, the Sylvan Winds, Orpheus and numerous other ensembles. His most recent CD, “Max Reger: Music for Clarinet and Piano”, on Bridge Records, was released recently to critical acclaim and received a feature in the November/December 2016 issue of Fanfare Magazine. His arrangements for wind quintet are available from Trevco Music Publishing and International Opus.
Also a conductor, Mr. Kay studied conducting at The Juilliard School with the late Otto-Werner Mueller and has conducted orchestras and chamber ensembles throughout the New York City area. Mr. Kay taught at the Summer Music Academy in Leipzig, Germany in 2004 and currently teaches at the Manhattan School of Music, Juilliard and Stony Brook University. He has served on the juries of the Orlando Festival Piano Trio and Mixed Ensemble International Competitions in Rolduc, Holland; the International Chamber Music Competition in Trapani, Italy; Young Concert Artists International Auditions, Concert Artist Guild Auditions, and the Fischoff Chamber Music Competition.
Violinist Hye-Jin Kim, winner of the 2009 Concert Artists Guild Competition, has been lauded by The Strad for her “…heart-stopping, unrivalled beauty…well-thought out, yet of the moment.” Ms. Kim crafts extraordinary programs often reflecting her interests in Art and Literature which, paired with her rare sensitivity and intellect, set her apart in today’s music scene. This remarkable artistry brought her to international prominence early in her career when she was awarded First Prize at the Yehudi Menuhin Competition at the age of 19.
Ms. Kim has performed as soloist with the Philadelphia Orchestra under the direction of Christoph Eschenbach, the New Jersey Symphony, the BBC Concert Orchestra, Seoul Philharmonic, Pan Asia Symphony (Hong Kong), and the Hannover Chamber Orchestra. She has been presented in recital at Weill Hall at Carnegie Hall, the Kravis Center Young Artist Series, LeFrak Hall at Queens College’s Copland School of Music, Howland Cultural Center, and the Chamber Music Society of Little Rock.
An active chamber musician, Ms. Kim is a member of the Cooperstown Quartet and her festival appearances include Four Seasons, Marlboro, Ravinia, Music from Angel Fire, Bridgehampton Chamber Music Festival, Music at Menlo, Lake Champlain, and Martha’s Vineyard Chamber Music Festival. She has toured the US and England as a member of the Musicians from Marlboro and Prussia Cove Open Chamber Music.
Ms. Kim graduated from the Curtis Institute of Music and New England Conservatory where she studied with Jaime Laredo, Ida Kavafian, and Miriam Fried. In addition to performing, she is an Associate Professor of Violin at East Carolina University in Greenville, NC.
Violist Maria Lambros has performed as a chamber musician throughout the world as a member of three of the country's finest string quartets in venues such as the Concertgebouw in Amsterdam, London's Wigmore Hall, the Konzerthaus in Vienna, New York's Lincoln Center and Weill Recital Hall at Carnegie Hall and the Library of Congress in Washington, D.C. She was a member of the renowned Ridge String Quartet, which was nominated for the 1993 Grammy Award for Best Chamber Music Performance for their recording of the Dvorak Piano Quintets with pianist Rudolf Firkusny on the RCA label. The recording won Europe's prestigious Diapason d'Or in the same year. She was also a founding member of the Naumburg Award-winning Meliora String Quartet, which was Quartet-in-Residence at the Spoleto Festivals of the U.S., Italy and Australia, and which recorded Mendelssohn's Octet with the Cleveland Quartet on the Telarc label. She was most recently a member of the Mendelssohn String Quartet, and is currently a member of the Cooperstown Quartet.
In addition to being a Four Seasons regular, Maria Lambros appears at a number of major chamber music festivals, including those of Helsinki, Aspen, Vancouver, Santa Fe, Tanglewood, La Jolla, Caramoor, Norfolk, Rockport, Skaneateles, Bard, Chamber Music West and New York's Mostly Mozart Festival. She has performed with the Peabody Trio and the Guarneri, Cleveland, Juilliard, Muir, Brentano, Borromeo, Colorado and Orion Quartets, among others. A native of Missoula, Montana, she was named one of "Montana's Leading Artists and Entertainers of the 2oth Century," a millennial list highlighting the last 100 years of Montanans' exceptional contributions to art and culture. A devoted teacher, Ms. Lambros is currently a member of the chamber music faculty of the Peabody Conservatory of Music and the Yellow Barn Music School.
Nick Luby is an artist committed to presenting vivid, authentic, and relevant performances of the classical canon to a wide audience. He has been the First Prize winner of the Dr. Sharyn Edwards Piano Competition, the Loren Withers Piano Competition, the Old Dominion Classical Competition, and the Elizabeth Verveer Tishler Piano Competition. Mr. Luby's recordings have been broadcast on South Carolina Public Radio, and he was featured as a guest artist at the Exploring Chamber Music Festival at the University of Northern Iowa.
Nick has performed in masterclasses for world renowned artists William Bolcom, Nelita True, Ivan Moravec, Martin Katz, and Lambert Orkis. He has participated in numerous festivals throughout the U.S. and in Italy and the Czech Republic, where he studied with Vladimir Feltsman, Boris Slutsky, Logan Skelton, Alexander Korsantia, and James Giles, among others.
Nick is also Co-Director of The Concert Truck, an award-winning, nationally recognized mobile concert hall that brings live classical piano concerts to unexpected locations. The Concert Truck has toured across the country and has been featured by Voice of America, Minnesota Public Radio, the Baltimore Sun, WYPR Maryland, and several local TV news stations including SCETV and WDAY Channel 6 News Fargo.
Launched in April 2016, The Concert Truck gave eight performances throughout the city of Columbia, SC in five days. The Concert Truck received First Prize for the 2015 Creativity in Music Award given by SPARK: Carolina's Music Leadership Laboratory and Most Original Idea in the 2018 Johns Hopkins University Business Plan Competition.
A Chapel Hill native, Nick holds the Graduate Certificate in Performance from the University of South Carolina, an MM in Piano Performance from the University of Michigan, and a BA with honors in Music and a double major in Philosophy from Wesleyan University. His primary teachers include Arthur Greene, Marina Lomazov, Francis Whang, and Margaret O'Brien.
American pianist Robert McDonald has performed throughout the United States, Europe, Latin America and the Far East both as solo recitalist and, for many years, as recital partner to Isaac Stern and other distinguished instrumentalists. He has appeared with major orchestras in the U.S. and Europe. As a chamber musician, he has performed with the Juilliard, American, Takacs, Muir, Brentano, St. Lawrence, Vermeer, Borromeo and Shanghai string quartets, as well as with Musicians from Marlboro and at the Four Seasons Chamber Music Festival. In addition, he has given concerts for the Lincoln Center Chamber Music Society, the Chicago Chamber Musicians, NHK and BBC television worldwide. His discography includes recordings for Sony Classical, Vox, Bridge, Musical Heritage Society, ASV and CRI.
McDonald is a member of the piano faculties at The Juilliard School and the Curtis Institute of Music, where he holds the Penelope P. Watkins Chair in piano studies. In addition to being the artistic director of the Taos School of Music and Chamber Music Festival in New Mexico, he has participated in the Bergen, Besancon, Lucerne, Montreux, Salzburg, Aldeburgh and Schleswig-Holstein festivals in Europe, the Marlboro, Brevard and Caramoor festivals in the United States, as well as the Banff Center in Canada.
McDonald is the winner of the Gold Medal at the Busoni International Competition, and the top prizes at both the William Kapell International Competition and the Washington International Competition. He is also the recipient of the National Federation of Music Clubs Artist Award, a grant from the National Endowment for the Arts and the Deutscher Schallplatten Critic’s Prize.
Robert McDonald graduated magna cum laude from Lawrence University. He then completed his studies at the Curtis Institute, The Juilliard School and the Manhattan School of Music.
Two-time Grammy nominated violinist Jesse Mills enjoys performing music of many genres, from classical to contemporary, as well as composed and improvised music of his own invention.
In 2004, Mills made his concerto debut with the Chicago’s Ravinia Festival Orchestra. He has performed throughout the U.S. and Canada, including concerts at Lincoln Center's Alice Tully Hall, Carnegie Hall, the 92nd Street Y, the Metropolitan Museum, the Kennedy Center in Washington, DC, Boston's Gardener Museum, and the Marlboro Music Festival. He has also appeared at prestigious venues in Europe, such as the Barbican Centre of London, La Cité de la Musique in Paris, Amsterdam’s Royal Carré Theatre, Teatro Arcimboldi in Milan, and the Palais des Beaux Arts in Brussels.
Mills is highly regarded as a champion of contemporary music, a renowned improvisational artist, as well as a composer. He earned a Grammy nomination for his work on a CD of Arnold Schoenberg's music, released by NAXOS in 2005. He can also be heard on the Koch, Centaur, Tzadik, Max Jazz, and Verve labels for various compositions of Webern, Schoenberg, Zorn, Wuorinen, and others. As a member of the FLUX Quartet from 2001-2003, Mills performed music composed during the last 50 years (including the famous six-hour-long String Quartet No. 2 by Morton Feldman), in addition to frequent world premieres.
Mills is a founding member of the Horszowski Trio, as well as Duo Prism, a violin-piano duo with Rieko Aizawa, which earned first prize at the Zinetti International Competition in Italy in 2006. With Ms. Aizawa, Mills became co-artistic director of the Alpenglow Chamber Music Festival in Colorado in 2010.
As a composer and arranger, Mills has been commissioned by venues including Columbia University’s Miller Theater and the Chamber Music Northwest festival in Portland, OR.
Mills is a graduate of the Juilliard School where he was a student of Dorothy DeLay, Robert Mann, and Itzhak Perlman.
American pianist Adam Neiman is hailed as one of the premiere pianists of his generation, praised for possessing a truly rare blend of power, bravura, imagination, sensitivity, and technical precision. With an established international career and an encyclopedic repertoire that spans more than sixty concerti, Neiman has performed as soloist with the symphony orchestras of Belgrade, Chicago, Cincinnati, Dallas, Detroit, Houston, Indianapolis, Minnesota, Saint Louis, San Francisco, Slovenia, Umbria, and Utah, as well as with the New York Chamber Symphony and the National Symphony Orchestra of Washington D.C. He has collaborated with many of the world’s celebrated conductors, including Jiri Belohlavek, Giancarlo Guerrero, Theodor Gushlbauer, Carlos Kalmer, Uros Lajovic, Yoël Levi, Andrew Litton, Rossen Milanov, Heichiro Ohyama, Peter Oundjian, Leonard Slatkin, and Emmanuel Villaume.
A highly-acclaimed recitalist, Neiman has performed in most of the major cities and concert halls throughout the United States and Canada. His European solo engagements have brought him to Italy, France, Germany, the United Kingdom, and Japan, where he made an eight-city tour culminating in his debut at Tokyo’s Suntory Hall.
Neiman’s recent season highlights include monumental solo recital tours of North America presenting the complete Rachmaninoff Preludes and Études-tableaux, followed up by a triple disc recording, due for release on Aeolian Classics in 2017. Prior to that, Neiman toured extensively with an equally behemoth project, pairing Beethoven’s Diabelli Variations, Op. 120, and “Hammerklavier” Sonata, Op. 106; he subsequently recorded a double disc set, due for release on Sono Luminus in 2017. Additionally, audiences may look forward to a long-awaited DVD release of his complete Liszt Transcendental Études, recorded live in Los Angeles. Above and beyond his epic recital projects, Neiman premiered his Concerto for Piano and String Orchestra (commissioned and composed in 2012) with the Manchester Chamber Orchestra and conductor Ariel Rudiakov on tour throughout Vermont and New York, and gave a west coast premieres in Telluride. A high-definition video release of the world premiere performance is available on Neiman’s YouTube channel.
Current chamber music recording releases include the following: the complete Rachmaninoff and Tchaikovsky Piano Trios with Trio Solisti, for Bridge; Ravel and Chausson Piano Trios with Trio Solisti, for Bridge; Bernstein Piano Trio with the Seattle Chamber Music Society, for Onyx; Concerto da Camera by Howard Hanson with the Ying Quartet, for Sono Luminus; Dohnanyi’s Sextet for Clarinet, Horn, Violin, Viola, Cello, and Piano with the 45th Parallel ensemble in Portland, Oregon; and piano quartets of Saint-Saëns and Fauré with Maria Bachmann, Hsin-Yun Huang, and Edward Arron. These releases add to a rapidly expanding chamber discography consisting of the following recordings: Arensky’ s Piano Quintet with the Ying Quartet, for Sono Luminus; Sonatas by Franck, Debussy, and Saint-Saëns with violinist Maria Bachmann, for Bridge; and the world premiere recording of Jennifer Higdon’s Piano Trio, for Naxos.
His diverse solo discography includes three releases for VAI: a two-disc set of Mozart’s early keyboard concertos with the Wisconsin Chamber Orchestra, an award-winning two-disc set entitled “Adam Neiman Live in Recital,” proclaimed “Critic’s Choice” for 2007 and 2008 by the American Record Guide, and a DVD entitled “Adam Neiman: Chopin Recital.” He released a critically-acclaimed recording of solo piano works by Anton Arensky for Naxos, and his debut recording on Lyric Records of a live, unedited solo recital at Tokyo’s Suntory Hall has recently been re-issued.
Neiman’s live recording presence has extended to the Internet, via his own YouTube channel featuring high-definition video footage from recent concert tours, found at: http://www.youtube.com/user/adamneiman
Radio and television broadcasts featuring Neiman regularly span international airwaves, and his live performance of the Brahms Rhapsodies, Op. 79, at the Gilmore International Keyboard Festival on NPR’s “Performance Today” was nominated for a Grammy Award. Chosen as a featured artist by director and Academy Award nominee Josh Aronson, Adam Neiman appeared in the PBS documentary film "Playing for Real," which aired worldwide and continues to air on the Bravo and Ovation networks. He was also featured in Peter Rosen’s “In the Key of G,” a PBS documentary about the Gilmore Festival.
His affiliation with PBS and the documentary genre has merged with his passion for composition: he wrote the score for “Forgiveness: A Time to Love and a Time to Hate,” a film by director and Emmy Award winner Helen Whitney, released on PBS in 2010. His output as a composer encompasses an array of works for solo piano, chamber music, voice, and symphony orchestra, and he is currently polishing a trove of film music samples for his cinematic portfolio. Some of his chamber works have been premiered at the Seattle Chamber Music Festival, Poisson Rouge in New York City, and at the Festival Cervantinos in Mexico, and he frequently performs his own solo piano music in recital. In 2012 he witnessed the world premiere of his first String Quartet at the Seattle Chamber Music Festival, and he is currently in the process of finishing his Second Symphony.
Born in 1978, Neiman has captured the attention of audiences and critics alike since his concerto debut at 11 in Los Angeles’s Royce Hall. Clavier Magazine wrote, "Adam Neiman gave a performance that rivaled those of many artists on the concert stage today...his playing left listeners shaking their heads in disbelief." His formative years saw him at the helm of many competitions, with top prizes at the MTNA’s Junior Baldwin Competition, UCLA’s Samick International Competition, the Joanna Hodges International Competition, the Stravinsky Awards International Competition, the Young Keyboard Artists Association International Competition, the California Concerto Competition, and the California State Bartok Competition. At fourteen, he debuted in Germany at the Ivo Pogorelich Festival, and at fifteen, he won second prize at the Casagrande International Piano Competition in Italy, the youngest medalist in the competition's history. In 1995, Neiman also became the youngest-ever winner of the Gilmore Young Artist Award. The following year, he won the Young Concert Artists International Auditions and went on to make his Washington D.C. and New York recital debuts at the Kennedy Center and the 92nd Street Y. The Washington Post remarked, “A collection of Chopin’s Waltzes and Nocturnes danced and stormed, and Prokofieff’s Second Sonata enthralled with a dazzling display of inner voices rather than a mere display of muscle. This was playing of wisdom and light befitting an artist in the autumn of his career.” Young Concert Artists additionally honored Neiman with the Michaels Award and presented him in a critically acclaimed solo recital at Alice Tully Hall, Lincoln Center.
Two-time winner of Juilliard’s Gina Bachauer International Piano Competition, Neiman received the Rubinstein Award upon his graduation in 1999, the same year in which he received the Avery Fisher Career Grant. Neiman’s principal teachers have included Trula Whelan, Hans Boepple, Herbert Stessin, and Fanny Waterman, and he has participated in master classes with legendary pianists Emanuel Ax, Jacob Lateiner, and György Sandor.
In 2015, Neiman was awarded the full-time position of Assistant Professor of Piano at the Chicago College of Performing Arts at Roosevelt University. He was a member of the esteemed Artist-Faculty at the CCPA for two years prior, and, in addition to his rigorous performance schedule, he has been teaching private lessons for more than a decade. Neiman has presented acclaimed masterclasses throughout the U.S., Europe, and Korea. He regularly serves on the summer chamber music faculty of the Manchester Music Festival in Vermont, and he has taught at the Great Mountains Music Festival in Korea.
As an adjudicator, he has presided over the Philadelphia Orchestra Concerto Competition, KING FM Young Artists Competition, and Reno’s Youth Music Festival, and in 2016 he will judge the Northwestern University Concerto Competition and the Chicago Amateur Piano Competition.
Maiya Papach is the principal violist of The Saint Paul Chamber Orchestra. A member of the orchestra since 2008, she has made several solo appearances and appears frequently in national and international appearances as a chamber musician. She is a founding member of the International Contemporary Ensemble (ICE), with whom she has performed frequently at Lincoln Center’s Mostly Mozart Festival, New York’s Le Poisson Rouge, Chicago’s Museum of Contemporary Art and dozens of experimental venues. She has toured extensively in the former Soviet Union with the Da Capo Chamber Players, across North America with Musicians from Marlboro, and has made appearances at Prussia Cove, the Boston Chamber Music Society, the Chesapeake Chamber Music Festival, the Chattanooga Chamber Music Festival and Chamber Music Quad Cities. She is also currently a member of Accordo, a Twin Cities-based chamber music group. Papach is a 2013 recipient of the McKnight Fellowship for Performing Musicians administered by the MacPhail Center for Music. Through this fellowship and in collaboration with ICE, she co-commissioned a viola concerto by Anthony Cheung, performed at the Mostly Mozart Festival. She is a graduate of the Oberlin Conservatory and The Juilliard School. She performs on a 19th century Turinese viola by Annibale Fagnola.
Violinist Daniel Phillips enjoys a versatile career as an established chamber musician, solo artist, and teacher. A graduate of Juilliard, his major teachers were Ivan Galamian, Sally Thomas, Nathan Milstein, Sandor Vegh and George Neikrug. He is a founding member of the 30-year-old Orion String Quartet, which is in residence at Mannes College of Music and performs regularly at the Chamber Music Society of Lincoln Center. Available on recording are the complete quartets of Beethoven and Leon Kirchner. He appears regularly at the Spoleto USA.
Since winning the 1976 Young Concert Artists in 1976, he has been an emerging artist who has performed as a soloist with the Pittsburgh, Houston, New Jersey, Phoenix, San Antonio, and Yakima symphonies. Last season marked his concerto debut with the Yonkers Symphony. He appears regularly at the Spoleto USA Festival, Santa Fe Chamber Music Festival, Chamber Music Northwest, Chesapeake Music Festival, and has participated in the International Musicians Seminar in Cornwall, England since its inception by Sandor Vegh. He also serves on the summer faculty of the Heifetz Institute. He was a member of the renowned Bach Aria Group, and has toured and recorded in a string quartet for SONY with Gidon Kremer, Kim Kashkashian, and Yo-Yo Ma.
He is a professor at the Aaron Copland School of Music at Queens College and on the faculties of the Mannes College of Music, Bard College Conservatory, and The Juilliard School. He lives with his wife, flutist Tara Helen O'Connor on Manhattan's upper west side.
Cellist Raman Ramakrishnan was a founding member of the Daedalus Quartet, winners of the grand prize at the 2001 Banff International String Quartet Competition. During his eleven years with the quartet, he performed coast-to-coast in the United States and Canada, in Japan, Hong Kong, Panama and across Europe. The quartet has been in residence at the Chamber Music Society of Lincoln Center, the University of Pennsylvania and Columbia University, where Ramakrishnan maintains a teaching studio. In 2011, he formed the Horszowski Trio with violinist Jesse Mills and pianist Rieko Aizawa. This season finds the trio performing across the US and India, as well as recording for Bridge Records.
Ramakrishnan has given solo recitals in New York, Boston, Seattle and Washington, D.C., and has performed chamber music at Caramoor and Bargemusic, with the Boston Chamber Music Society and Chicago Chamber Musicians, and at the Aspen, Charlottesville, Four Seasons, Lincolnshire (UK), Marlboro, Mehli Mehta (India), Oklahoma Mozart and Vail Music Festivals. He has toured with Musicians from Marlboro and has performed, as guest principal cellist, with the Saint Paul Chamber Orchestra. As a guest member of Yo-Yo Ma’s Silk Road Ensemble, he has performed in New Delhi and Agra, India and in Cairo, Egypt.
Ramakrishnan was born in Athens, Ohio and grew up in East Patchogue, New York. His father is a molecular biologist and his mother is the children's book author and illustrator Vera Rosenberry. He holds a bachelor’s degree in physics from Harvard University and a master’s degree in music from The Juilliard School. His principal teachers have been Fred Sherry, Andrés Díaz and André Emelianoff. He lives in New York City with his wife, the violist Melissa Reardon. He plays a Neapolitan cello made by Vincenzo Jorio in 1837.
Israeli Cellist Zvi Plesser has a remarkably varied career, which has combined appearances as cello soloist, chamber musician and distinguished educator. Based in Israel, Mr. Plesser has concretized worldwide and collaborated with some of our time’s leading instrumentalists and conductors. As soloist he has performed with the Israel Philharmonic Orchestra, the Jerusalem Symphony Orchestra, the Israel Symphony Orchestra, the National Symphony Orchestra in Washington D.C., the Academy of Saint Martin in the Fields, the Shanghai Symphony Orchestra, Hamburg Symphony Orchestra, and the Sofia Philharmonic under conductors Zubin Mehta, Sir Neville Marriner Asher Fisch, David Stern, Steven Sloan and Sergiu Comissiona. He was a member of the Huberman String Quartet and is a founding member of Concertante. A dedicated chamber musician he collaborates frequently with leading instrumentalists including several collaborations with Berlin Philharmonic Orchestra principal players. In recent season he has performed in such venues as: Paris Champs-Elysees, Musee du Louvre and Salle Pleyel, Vienna Konzerthaus, Berlin Philharmonie, London Wigmore Hall and Southbank Centre among others. In 2010 he was invited on a 14 concert tour of Australia with the Jerusalem String Quartet.
He has participated in Music festivals around the world, including the Four Seasons Chamber Music Festival, the Marlboro Festival, the Cervantino Festival in Mexico, the Jerusalem International Chamber Music Festival - Israel, Ako Festival in Japan, the Kuhmo Festival in Finland, Salon De Provence in France and the Rolandseck Festival in Germany. In 2011 he was appointed music director for the” Voice of Music Festival in the Upper Galilee,” – Israel’s oldest chamber music festival. In the last few years He has collaborated with his colleague and friend Hillel Zori in arranging and performing the 6 Bach Solo Suites for two cellos. Mr. Plesser is a graduate of the Juilliard School where he studied with Zara Nelsova. His principal teachers include Zvi Harel in Israel and David Soyer in the United States. Mr. Plesser has been on the faculty of the Jerusalem Academy of Music and Dance since 1998, and has taught at North Carolina School of the arts and in Hochschule für Musik Würzburg in Germany. He is frequently invited to give masterclasses and workshops in musical centers around the world. Mr. Plesser has been heard on various radio and television programs and has recorded for Helicon, Kleos, Meridian and more. A graduate of the Jerusalem Music Center as part of the program for Outstanding Young Musicians headed by Maestro Isaac Stern, Mr. Plesser won the prestigious Francoise Shapira Competition, the 41st annual Washington International Competition and was the recipient of the America-Israel Cultural Foundation Scholarships.
Marcy Rosen has established herself as one of the most important and respected artists of our day. Los Angeles Times music critic Herbert Glass has called her “one of the intimate art’s abiding treasures.” She has performed in recital and with orchestra throughout Canada, England, France, Japan, Italy, Switzerland, and all fifty of the United States. In recent seasons she has given Master Classes and appeared on stage in Beijing and Shanghai, China, the Seoul Arts Center in Korea and in Cartagena, Colombia.
A consummate soloist, Ms. Rosen’s superb musicianship is enhanced by her many chamber music activities. She has collaborated with the world’s finest musicians including Leon Fleisher, Richard Goode, Andras Schiff, Mitsuko Uchida, Peter Serkin, Isaac Stern, Robert Mann, Sandor Vegh, Kim Kashkashian, Jessye Norman, Lucy Shelton, Charles Neidich and the Juilliard, Emerson, and Orion Quartets. She is a founding member of the ensemble La Fenice, a group comprised of Oboe, Piano and String Trio, as well as a founding member of the world renowned Mendelssohn String Quartet. With the Mendelssohn String Quartet she was Artist-in-Residence at the North Carolina School of the Arts and for nine years served as Blodgett-Artist-in Residence at Harvard University. The Quartet which disbanded in January of 2010, toured annually throughout the United States, Canada and Europe for 31 years. She appears regularly at festivals both here and abroad and since 1986 has been Artistic Director of the Chesapeake Chamber Music Festival in Maryland. Another important association is with the Marlboro Music Festival in Vermont. Since first attending Marlboro in 1975, she has taken part in 21 of their “Musicians from Marlboro” tours and performed in concerts celebrating the 40th, 50th and 60th Anniversaries of the Festival.
Marcy Rosen was born in Phoenix, Arizona and her teachers have included Gordon Epperson, Orlando Cole, Marcus Adeney, Felix Galimir, Karen Tuttle and Sandor Vegh. She is a graduate of the Curtis Institute of Music. Ms. Rosen is currently Professor of Cello at the Aaron Copland School of Music at Queens College where she is also Artistic Coordinator of the concert series Chamber Music Live, and she serves on the Faculty at the Mannes College of Music in New York City.
Her performances can be heard on recordings from the BIS, Bridge, Deutsche Grammophon, Sony Classical, CBS Masterworks, Musical Heritage Society, Phillips, Nonesuch, Pro Arte, and Koch labels among others. Please visit her website at www.marcyrosen.com
Pianist Thomas Sauer is highly sought after as soloist, chamber musician, and teacher. Some of Sauer’s recent appearances include concerto performances with the Quad-City and Tallahassee Symphonies and the Greenwich Village Orchestra; solo performances at Carnegie Hall (Stern Auditorium), Merkin Concert Hall, Rockefeller University, and St. John’s College, Oxford; appearances on Broadway as the pianist in 33 Variations, a play about the composition of Beethoven’s Diabelli Variations; and performances at the Chamber Music Society of Lincoln Center and the Philadelphia Chamber Music Society. With his long-time duo partner Colin Carr, Sauer has appeared at the Wigmore Hall (London), Holywell Music Room (Oxford), the Amsterdam Concertgebouw and Musikgebouw, Bargemusic (New York City), the Isabella Stewart Gardner Museum (Boston) and Princeton University, among many other venues. Other appearances include recitals with Midori at the Philharmonie in Berlin and the Palais des Beaux Arts in Brussels; performances with members of the Juilliard String Quartet at the Library of Congress; and numerous concerts with the Brentano String Quartet.
Sauer has performed at many of the leading festivals in the United States and abroad, including Marlboro, Caramoor, Music@Menlo, Chamber Music Northwest, El Paso Pro Musica and the Chamber Music Festivals of Seattle, Taos, Four Seasons (North Carolina), Portland and Salt Bay (Maine); as well as Lake District Summer Music (England) and Festival des Consonances (France).
Sauer’s varied discography includes recordings of Beethoven and Haydn piano sonatas for MSR Classics; the complete cello and piano works of Mendelssohn with Colin Carr on Cello Classics; a disc of Hindemith sonatas with violist Misha Amory (Musical Heritage Society); music of Britten and Schnittke with cellist Wilhelmina Smith on Arabesque; music of Ross Lee Finney with violinist Miranda Cuckson on Centaur Records; and violin sonatas of Mozart with Aaron Berofsky on Blue Griffin Recordings. In recent seasons, Sauer has premiered works by Philippe Bodin, Robert Cuckson, Sebastian Currier, Keith Fitch, David Loeb, Donald Martino, David Tcimpidis and Richard Wilson.
A member of the music faculty of Vassar College and the piano faculty of the Mannes College, Sauer is a graduate of the Curtis Institute, Mannes College of Music and the Graduate Center of the City University of New York, where his major teachers included Jorge Bolet, Edward Aldwell and Carl Schachter.
Pianist Keiko Sekino enjoys an active career as a solo recitalist and chamber musician in the United States and abroad, in recent seasons having performed at Carnegie Weill Recital Hall, Steinway Hall, Bennett-Gordon Hall at Ravinia Park, and Palacio de Festivales de Cantabria in Santander, Spain. She has participated in festivals such as Ravinia, Norfolk, Yellow Barn and Four Seasons in the United States and Kuhmo, Encuentro de Música y Academia de Santander, La Gesse and Pontino in Europe.
In 2006, Keiko Sekino was one of four pianists invited to participate in the Carnegie Hall Professional Workshop with Thomas Quasthoff. As a duo with soprano Awet Andemicael, she worked with baritone Thomas Quasthoff and pianist Justus Zeyen on Lieder by Schubert, Wolf, and Strauss in public master classes, which were presented in recital at the Weill Recital Hall at Carnegie Hall. An accomplished chamber musician, Sekino has shared the stage with violinists Ana Chumachenko and MinJung Kang, and members of the Boston Symphony Orchestra, Daedalus Quartet, Enso Quartet, Peabody Trio and the Los Angeles Piano Quartet.
A 2001 Presser Music Award recipient, Keiko Sekino received an artistic fellowship from the La Gesse Foundation, and in 2005 and 2006, received grants from the Mu Phi Epsilon Foundation to pursue further studies in Italy and France. She has won first prizes in the Yale Friends of Music Recital Competition and the Commonwealth Competition for Young Pianists. Other competition successes include those at the MTNA Yamaha Competition and the East Connecticut Symphony Competition.
From 2004 to 2006, Sekino served as a pianist for the Tanglewood Festival Chorus of the Boston Symphony Orchestra. In this capacity, she worked with conductors John Oliver, James Levine and Keith Lockhart on symphonic, operatic and choral repertoire. A compelling performer of contemporary music, she has worked with composers Sofia Gubaidulina, Joan Tower, Mario Davidovsky and Jake Heggie.
Keiko Sekino completed a Doctor of Musical Arts degree at the Peabody Conservatory of the Johns Hopkins University and holds additional degrees from Yale University in economics and music. Among her teachers are Peter Frankl and Robert McDonald. She joined the piano faculty of the East Carolina University School of Music, Greenville, North Carolina, in 2006.
Steven Tenenbom has earned an equally stellar reputation in recital, orchestral and chamber music appearances, displaying in all the impeccable style and sumptuous tone which have earned him a reputation as one of America's finest violists.
In great demand as a chamber musician, Mr. Tenenbom has appeared as guest artist with such eminent ensembles as the Guarneri and Emerson String Quartets, the Kalichstein-Laredo-Robinson and Beaux Arts Trios, the Chamber Music Society of Lincoln Center, and Chamber Music at the "Y." He has appeared as soloist with the Rochester Philharmonic Orchestra and the Brandenburg Ensemble in performances at Boston's Symphony Hall, the Kennedy Center in Washington, DC, Avery Fisher Hall in New York City, and on tour in Japan. Recent seasons have included recital performances in New York and California, and concerto performances in Washington state, Michigan, Arizona and Ohio.
Additional duo recital and orchestral engagements with his wife Ida Kavafian have also played to capacity crowds across the country. Their brilliant performance with the Cincinnati Chamber Orchestra under Keith Lockhart's baton led to their reengagement by Mr. Lockhart with the Utah Symphony. The Salt Lake Tribune called it "an inspiring performance," saying the duo "worked magic."
Mr. Tenenbom is the violist of the Orion String Quartet, one of the most outstanding and eloquent ensembles performing today. In addition to their many performances both nationally and internationally, they are the Quartet-in-Residence of the Chamber Music Society of Lincoln Center, the Aspen Music Festival, Mannes College of Music and the Santa Fe Chamber Music Festival; and have toured widely with Bill T. Jones/Arnie Zane Dance Company, premiering this unique collaboration at Hancher Auditorium, Iowa City.
As a member of the prestigious group TASHI, Mr. Tenenbom has also had a long association with the Marlboro Music Festival, including many tours across the United States, Japan and France. Other festival credits include the June Music, La Jolla Mostly Mozart, Chamber Music Northwest, Music from Angel Fire, and Bravo! Colorado. Devoted to the music of our time, he has worked closely with such diverse composers as Leon Kirchner, Lukas Foss, John Corigliano and jazz greats Chick Corea and Wynton Marsalis.
He also co-founded the exciting group, Opus One, along with pianist Anne-Marie McDermott, violinist Ida Kavafian and cellist Peter Wiley. The group is wide ranging in their approach, presenting educational and community outreach activities as part of engagements.
Mr. Tenenbom is on the faculty of The Curtis Institute of Music, where he is the Coordinator of String Chamber Music. He also serves on the faculties of The Juilliard School, The Conservatory of Music at Bard College and the Mannes College of Music. He has recorded on RCA Records with TASHI and the Guarneri String Quartet, and can also be heard on the Sony Classical, Marlboro Recording Society, Delos, ECM and Arabesque labels.
Born in Phoenix, Arizona, Mr. Tenenbom began his early studies with Max Mandel. He then attended the University of Southern California as a pupil of Milton Thomas. Further studies carried him to the Curtis Institute of Music where he worked with Michael Tree and Karen Tuttle. Married to violinist Ida Kavafian, the Tenenboms live in Connecticut where they breed, raise and show champion Vizsla purebred dogs.
Violinist Xiao-Dong Wang entered the Shanghai Conservatory of Music at the age of ten. Wang was First Prize winner in the Menuhin International Violin Competition and First Prize winner in the Wieniawski-‐Lipinski International Violin Competition at the ages of thirteen and fifteen. He was brought to the attention of Dorothy DeLay of The Juilliard School who arranged for him to begin a four-year scholarship starting in 1986. A guest soloist of considerable experience, Wang has performed with orchestras around the world, including the Royal Philharmonic in London, the London Mozart Players, Adelaide, Perth, Queensland Symphony Orchestras and Sydney Opera Orchestra. His recording credits include the Bartok Concerto No. 2 and Szymanowski Concerto No. 1 for Polygram Records. He has also appeared performing on both violin and viola in chamber music concerts at Lincoln Center, Kennedy Center, Aspen, Ravinia and in many other festival and musical events worldwide.
Wang is the resident soloist of the Shanghai Symphony for the 2012-13 Season, he will appear three times as soloist with the orchestra during the season as well as presenting chamber music concerts and master classes. During his residency, Wang will also perform as a soloist with three other major symphony orchestras in China, including The China Philharmonic in Beijing.
Wang is the artistic director and a founding member of the renowned chamber music group Concertante, where he has collaborated with world renowned musicians and made a vast number of chamber music recordings.
Cellist, Peter Wiley enjoys a prolific career as a performer and teacher. He is a member of the piano quartet, Opus One, a group he co-founded in 1998 with pianist Anne-Marie McDermott, violinist Ida Kavafian and violist Steven Tenenbom. Mr. Wiley attended the Curtis Institute of Music as a student of David Soyer. He joined the Pittsburgh Symphony in 1974. The following year he was appointed Principal cellist of the Cincinnati Symphony Orchestra, a position he held for eight years. From 1987 through 1998, Mr. Wiley was cellist of the Beaux Arts Trio. In 2001 he succeeded his mentor, David Soyer, as cellist of the Guarneri Quartet. The quartet retired from the concert stage in 2009. He has been awarded an Avery Fischer Career Grant, nominated for a Grammy Award in 1998 with the Beaux Arts Trio and in 2009 with the Guarneri Quartet. Mr. Wiley participates at leading festivals including Music from Angel Fire, Chamber Music Nothwest, OK Mozart, Santa Fe, Bravo! and Bidgehampton. He continues his long association with the Marlboro Music Festival, dating back to 1971. Mr. Wiley teaches at the Curtis Institute of Music and Bard College Conservatory of Music.
Kwan Yi has been praised by audiences and critics alike as a pianist of "lyrical elegance" and "ravishing, pitch-perfect clarity". He has performed throughout the United States, Europe, and Asia in such venues as Carnegie Hall, Lincoln Center, Kimmel Center, Kennedy Center, Chicago Symphony Center, the Metropolitan and Isabella Stewart Gardner Museums, Jordan Hall, Jones Hall, Mann Performing Arts Center, Wolf Trap National Park for the Performing Arts, Library of Congress, Kravis Center of the Arts, Großer Sendesaal des Hessischen Rundfunks (Germany), Auditorium du Louvre (France), Teatro Principal de Alicante (Spain), Suntory Hall (Japan), and Seoul Arts Center (Korea).
In recent seasons, Mr. Yi has appeared as a soloist with the Russian National Orchestra, Houston Symphony Orchestra, and the Brevard Festival Orchestra under the batons of Hans Graf, Julian Kuerti, Grant Llewellyn and Mikhail Tartanikov. As an avid chamber musician, he has collaborated with Itzhak Perlman, Miriam Fried, and Roberto Diaz on national tours and was invited to perform at the Kronberg, Ravinia, Trondheim, Mecklenburg-Vorpommern and the Castleton Festivals. He is a founding member of the Madison Piano Trio, a top prizewinner of the Trondheim International Chamber Music Competition (Norway). As a recitalist and masterclass instructor, he has completed residencies at the Bowdoin College, University of Arkansas, East Carolina University, Marylhurst University, Michigan State University, Ouchita Baptist University, Stephen F. Austin University, Randolph College, Cleveland Museum of Art, Theatre de Vevey (Switzerland), and Sendai Cultural Center (Japan). His performances have been broadcast by WQXR, WHYY, KUHF, Radio France and Radio Frankfurt. He has recorded for Hänssler label with Violinist Itamar Zorman.
A recipient of many honors and prizes, Mr. Yi's awards include Mieczyslaw Munz Prize, National Federation of Music Clubs Award, and top prizes in the Sendai International Piano Competition (Japan), and the Trio di Trieste International Chamber Music Competition (Italy).
Mr. Yi is a graduate of the Curtis Institute, The Juilliard School and the Peabody Institute where he worked with Leon Fleisher and Robert McDonald. He is on the faculty at East Carolina University.
Acclaimed as a pianist with "astounding musical authority" (Columbia Free Times), Susan Zhang made her orchestral debut at the age of twelve with the Augusta Symphony. She has since been featured as a soloist with the South Carolina Philharmonic, the University of South Carolina Symphony Orchestra, Atlanta Symphony Youth Orchestra, and Aiken Civic Orchestra. She has performed in numerous venues in North America, Europe, and Asia. Her recordings have been broadcast on South Carolina Public Radio.
Susan was a prizewinner of the Thousand Islands Chopin Competition, the Bauru-Atlanta Competition, the Burgos International Music Festival Competition, the Arthur Fraser International Concerto Competition, South Carolina MTNA Young Artist Competition, and the University of South Carolina Concerto Competition. She has spent summers at Pianofest in the Hamptons, Banff Piano Master Class, Burgos International Music Festival, Brevard Music Center, and the Southeastern Piano Festival. In the summer of 2014, she was featured in the Southeastern Piano Festival’s Alumni Celebration and is a regular guest artist in the festival’s Opening Piano Extravaganza.
Susan is also Co-Director of The Concert Truck, an award-winning, nationally recognized mobile concert hall that brings live classical piano concerts to unexpected locations. The Concert Truck has toured across the country and has been featured by Voice of America, Minnesota Public Radio, the Baltimore Sun, WYPR Maryland, and several local TV news stations including SCETV and WDAY Channel 6 News Fargo.
Susan began her studies at the age of six. She received her Bachelor of Music degree and Graduate Certificate in Performance from the University of South Carolina and her Master of Music degree in Piano Performance and Literature at the Eastman School of Music. Her previous primary teachers include Marina Lomazov, Joseph Rackers, Enrico Elis and Boris Slutsky.